filter photo fest

Creative Sustenance

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Over the past few months, I’ve been catching up on photo blogs from our travels. I wish I’d made time on the road to have done these blogs real time. But I was too busy enjoying the moments and I won’t let myself regret that. I find myself rolling the question of “what is the purpose of my blog?” around in my head a lot. Why do it? In the end, I’ve come to think of it as my creative sustenance.

Blogging on a regular schedule has been good for me–I’m writing more, doing something with my photos, making videos again, trying to discipline myself by editing with an aimed machete, and self-imposing deadlines to publish. I like thinking about these projects and topics for photography. I like the practice of writing, and shooting regularly. It gives me challenges. I’m trying new things. It gets me out. And in the end, that’s the best part of all.

Yesterday, my friend Debbie and I attended Filter Photo Festival’s Sony Photo Walk workshop. This was a two-hour, free event to sample the newest Sony mirror-less cameras. We checked in early, and checked out our cameras–I had the Sony a7-III, with the 55mm 1.8 Zeiss lens. And a few minutes later, we hit Chicago’s Magnificent Mile on a blustering Fall day.

Now, I’m not a reviewer of cameras. So, you’ll not be hearing any detailed techie stuff. What I can say is this:  the camera is crazy lightweight, the focus zones and super high ISO were impressive, it shoots video too, and I loved the pop-out screen and shutter silencer. Net: If I had a few grand laying around, I’d get one, with a couple of those sweet Zeiss prime lenses. Of course, then I’d have to buy a new Mac to fully update Adobe Creative Cloud to read the Sony A7-III cards…and well, this little hobby gets expensive. But I digress.

The point of this was to say that it is good to get out and try something new. I didn’t take any photos that light up my switchboard, but I spent time with a long-time friend, had celery in ceviche, accepted a broken pink rose from a friendly florist, and walked among tourists on a blustery Chicago day. Good stuff. Creative sustenance. I feel energized today.

Thank you Debbie for asking me to go, and thank you Filter and Sony for setting up photo walks to sample cameras!

I’d love to hear how others get creatively nourished. Any tips?

The Sony a7-III with the 35mm lens
The Sony a7-III with the 35mm lens.
Ben the Sony guy shows Debbie a camera feature.
Ben the Sony guy shows Debbie a camera feature.
Ben the Sony guy.
Ben the Sony guy.
The Drake Hotel has two of these dripping crystal chandeliers in the lobby.
The Drake Hotel has two of these dripping crystal chandeliers in the lobby.
Pink rose detail
We wandered into the Drake Hotel to get out of the rain and smelled flowers before we saw them. The florist gave me the most perfect rose–broken and unusable to him.
Bride Bridesmaids Michigan Ave Cold Chicago day
Bride & Bridesmaids near Michigan Avenue. It was 54 degrees and rainy. I’m cold just looking at them.
People parked under a construction awning in the rain. Michigan Ave, Chicago.
People parked under a construction awning in the rain. Michigan Ave, Chicago.
Debbie and Ben the Sony guy.
Debbie and Ben the Sony guy.
Walking in a Sony group down Michigan.
Walking in a Sony group down Michigan.
Watering the mums in Chicago, Michigan Avenue
Chicago’s already planted the mums on Michigan! And is watering…in the rain. 
Debbie in the elevator
Debbie in the elevator.
Debbie and Carol photographing in the mirror in the elevator.
Debbie and Carol photographing in the mirror in the elevator.

At the midpoint of the Filter Photography Festival

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I’ve taken a couple of weeks off from “the career” to focus on my photography…this week a series of short workshops, seminars and presentations by Filter Photography Festival and next week an intensive workshop with National Geographic photographer, Sam Abell, in Santa Fe.

Dogs at dawn. Workers and waiting at dawn. Havana Cuba.
Dawn in Havana Cuba.  Dogs, workers and waiting.  

At the mid-point of Filter’s 4 days, here are the things sticking in my head:

1) Filter is about ART.  Photography as ART.  It’s eye-opening to see the constructed projects that may begin with photos (the artists’ or someone elses’) but certainly doesn’t end with the photograph.  For some, there’s washing out bits with bleach, or putting the photo onto plastic and warping it, or cutting precise little holes in exact spots to add meaning.  It’s also photography with WORDS.  The metaphors explained.  Artist Statements to bring the viewer along…how did the idea happen?  what’s the process?  what does it mean?  what to see?   what thoughts should ride along with the photo when you view it?

2) The PRINTs.  LARGE prints.  On RICH papers like bamboo, kozo or deckled rag.  Portfolios brought in boxes and displayed on tables.  Eric Joseph from Freestyle pointed out that when we were in the darkroom years ago, “the paper mattered.”  It was an important decision in the darkroom.  We had our favorites for their warmth or texture, or cool smoothness….Ilford, Oriental…  But somehow with digital printing, paper was forgotten.  He was at Filter to remind us, to show us…to let us feel and see the differences…(and yeah, to sell us papers).  It worked.  I’m convinced.

3) Kelli Connell’s 23 questions for portraiture.  A technique to question yourself…quickly and periodically…to see themes and threads through which you view the world, and photograph from.  Wow.  More on this later.

4) Debbie Fleming Caffery’s sweet and sassy southern voice.  I can hear it still.  Her workshop was to be on sustaining long term projects, but instead turned out to be more of a portfolio review.  I showed up with glossy and puny Walgreens prints expecting to use them only to give an idea of my work…my project that needs sustaining…and articulation.  I felt like I was a day late and a dollar short.  Regardless, I learned a lot from listening to the dialogue of the others…the Artists.  For example, making selections to tie themes or colors or moods together.  The self-published books, and again the papers and the printing processes.  The possible sources for more knowledge, more photos, more words (or videos) to add to projects.  And the outlets…ideas for my big question of “What do I DO with the projects?”

The overwhelming response…that I’m hearing across Filter Photo Festival:  GET YOUR WORK OUT THERE.  Enter contests, print large and show in festival portfolio reviews, be active in social media, blog, and JUST DO IT.  Make your own exhibits.  Be tenacious.  Make connections.  And keep on shooting…keep on creating.

Heading out for Day 3.  But first, a dawn walk with Charlie on this gorgeous Fall morning.  Let the day begin.